Hisense PX1-PRO TriChroma Laser Movie Hisense has developed a home cinema-focused UST with a motorized focus in the PX1-PRO Laser Cinema.
PROS
- Using TI’s XPR fast-switch pixel shifting to achieve 4K (3,840 by 2,160) resolution.
- increased color gamut compared to most projectors
- 2,200 ANSI lumens of brightness
- and enough color accuracy
- gave us a clear focus at 100 inches during our tests.
- TV tuner built-in with Android TV 10 integrated
CONS
- No Netflix app is provided with the Android TV.
- No 3D support.
Engine Type DLP Rated Brightness 2200 ANSI lumens HISENSE PX1-PRO TRICHROMA LASER CINEMA SPECS
- Utilizing a 1920 by 1080 DLP chip with XPR fast-switch pixel shifting, the native resolution is 3840 by 2160.
- 3840 by 2160 at maximum speed
- Interfaces and InputsEthernet, Wi-Fi, Wi-Fi Direct, Bluetooth, HDMI (eARC), USB 2.0, and USB 3.0 Dimensions (HWD), HDMI 2.1 (HDCP 2.2),13.8, 20.5, and 6.3 inches
- Size 20.3 lbs.
- for two years
One of only two types, the PX1-PRO TriChroma Laser movie projector ($3,999.99), is referred to by Hisense as a “cinema projector” as opposed to a “laser TV.” However, It is an obvious choice if you already have a screen or if you prefer a different size than the options that come with it because it isn’t included with a screen. The fact that it offers a significantly wider color gamut than other projectors does, however, make it truly worth taking into account. Its top-notch image quality for the price, which contributes to it becoming our new Editors’ Choice pick in its category, is just one facet of the eye-catching color.
Lasers That Are Red, Green, And Blue
Although the PX1-PRO is pricey, it is sometimes offered online for a large discount off of its advertised price, bringing it on par with competing 4K ultra-short-throw (UST) laser projectors. Like many of its rivals, it makes use of a single DLP chip and TI’s XPR fast-switch pixel shifting to display the entire 3,840 by 2,160 pixels.
It does not use a laser-phosphor light source, in contrast to the majority of projectors, including the Hisense 100L5G, which is currently our top recommendation for an entry-level UST home theatre projector. Instead, it is based on the TriChroma laser engine from Hisense, which rotates through the primary colors of red, green, and blue lasers in that order.
Two significant advantages of the TriChroma light engine over laser-phosphor light sources. It gives a larger color spectrum, which is the first and most significant benefit. According to Hisense, it offers 107% of the BT.2020 (also known as Rec.2020) spec,Best Review Hisense PX1-PRO TriChroma Laser Movie which is the established aim for 4K UHD projectors and TVs. Compared to the Rec.709 standard established for HD TVs, which many 4K projectors are still constrained to, that offers a significantly wider variety of colors.
and even more expansive than the DCI-P3 color gamut, which is utilized extensively in UHD TVs and projectors as a middle step between the two. When compared to video sources that make use of it, the difference is visible in the vast range of additional colors that may best be described as richer and more saturated than most displays can show, as well as in a closer approximation to real-world colors than most displays can manage.
The second benefit is for rainbow artifacts, which are bursts of red, green, and blue that single-chip projectors frequently produce because they apply primary colors sequentially as opposed to simultaneously. You have to be much more sensitive Best Review Hisense PX1-PRO TriChroma Laser Movie to spot rainbow artifacts because TriChroma lasers rotate through the sequence more quickly than a color wheel can. In my tests, I detected some, though more readily than most people. More generally, the quicker sequencing results in fewer people seeing any, and those who can easily see them will typically see them less frequently. (More to follow on this.)
Go Big! Up To 130-inch Screens Are Compatible
The PX1-PRO, an Android TV 10 projector that weighs 20.3 pounds and dimensions 6.3 by 20.5 by 12.8 inches (HWD), is generally easy to set up. Move it into position, establish an Ethernet or Wi-Fi connection to your network, and then attach any additional sources you choose. Two HDMI 2.1 connections, as well as a coax connector for the built-in TV tuner, are available on the panel that faces the screen.
The projector may look for available channels after Best Review Hisense PX1-PRO TriChroma Laser Movie connecting a cable for broadcast or cable TV. There is no Netflix app for Android TV, as there usually is, but you can still watch Netflix by connecting to a cable provider or other service that provides it, or by connecting your preferred streaming dongle to one of the HDMI ports.
Hisense rates the super short throw as suited for an image between 90 and 130 inches, and it has powered focus that can be adjusted via the remote in incredibly small steps, making it simple to achieve sharp focus over the whole image. It didn’t resolve detail quite as well as the more expensive Epson Pro Cinema LS12000, which is our top pick for 4K standard-throw home theatre projectors, but it did a better job than most DLP 4K projectors we’ve tested, which I could see from a distance closer to the screen than anyone would be sitting. On this count, the PX1-PRO is unquestionably the greatest DLP model we’ve seen, if not the best.
The 100-inch Epson SilverFlex 100″ Ambient Light Rejection Mega Screen has a 0.6 gain, so a 2,200-lumen projector’s image brightness will be the same as for a 1,320-lumen projector using a 1.0-gain white screen, which is what we use for our formal tests with UST TV replacements that don’t come with bundled screens.
However, the combination of ambient light rejection (ALR) and the low-gain screen’s darker blacks and increase in perceived contrast produces a better-looking image than a white screen would. For this reason, a UST ALR screen is almost a necessity for UST TV replacements in rooms with ambient light. (We go into more detail about screens in our guide on how to pick the best projector screen.) I conducted all of my viewing tests on the ALR screen for this review, and I discovered that the 100-inch image was sufficiently bright for viewing in both low-light conditions and moderate ambient light.
A big family room may be filled with sound from the two 15-watt stereo speakers and built-in Dolby Digital sound system with Dolby Atmos. Alternatively, you can use Bluetooth, WiSA, or the eARC capability on one HDMI port to connect to an external sound system for even better quality. A lag adjustment feature that enables you to maintain audio and video synchronization is a particularly useful addition for Bluetooth connections.
Dolby Vision HDR Support Will Be Available Soon
The PX1-PRO provides seven HDR color settings in addition to eight preconfigured color modes for SDR content. Additionally, you may modify each mode and specify whether the adjustments should be made to input from all sources or just the current source. This is useful when various sources call for various settings. To condense the list, Only the modes suited for the current input are displayed in the menu. Note that the spec sheet only lists HDR10 support, but Hisense claims the projector also supports HLG HDR and will later this summer automatically integrate the more complex Dolby Vision, which is quite uncommon for projectors. There is no support for 3D.
Vivid mode produces oversaturated colors that are unrealistic right out of the box, but most people will find that any of the other settings’ color accuracy is more than acceptable. Additionally, the menus provide all the choices required for a thorough calibration.
For my experiments, I used HDR Theatre for HDR content and Theatre Day for SDR content. To improve color accuracy, particularly for skin tones, I increased the Colour Temperature setting—to Medium for SDR and Mid-Low for HDR—and set Active Contrast to Medium to enhance shadow detail. I also disabled the Motion Enhancement setting, which adds the digital video effect—commonly known as the “soap opera” effect—that makes recorded footage appear to be live video while also smoothing motion through frame interpolation.
You might want to explore these features’ other settings as well. In my experiments, the Active Contrast setting on High added ringing around some objects in brighter situations, which you might find less annoying than I did, but it also enhanced shadow detail even more. Frame interpolation can also enhance the appearance of both live and recorded video. One of its options, termed Film, in my experiments marginally smoothed motion without adding any digital video effects.
As I previously indicated, I observed some rainbow artifacts. Even though I can easily see these, there weren’t many of them when I watched the majority of films and TV series. The only movie in our test set that included numerous gloomy moments with bright highlights was the one where I noticed them frequently enough to be unpleasant. Most people won’t think this is a problem. However, if you’re worried about rainbow artifacts, be sure to buy from a retailer that accepts simple returns so you can try the projector out for yourself.
The input lag time of the PX1-PRO’s Game mode is without a doubt brief enough for casual gaming. Using a Leo Bodnar 4K HDMI Video Signal Lag Tester, I calculated that it was 34.4ms for both 1080p 60Hz and 4K 60Hz input. (Learn more about the projector testing process.)
One Serious Big-Screen TV Projector
The PX1-PRO competes with rival projectors and TVs like any other 4K UST home projector. Conventional flat-panel televisions don’t even come close to competing if you want a screen that is 100 inches or larger in terms of value for money. Additionally, the PX1-PRO stands out from rival projectors due to its wide color gamut, with its other characteristics serving as crucial ancillary components.
The Epson LS500 is our rainbow-artifact-free Editors’ Choice option for its class of 4K UST models if you’re especially sensitive to them and don’t want to even consider a projector that can show them. The Epson LS12000 is our top pick in its price range and offers top-tier image quality provided you’re prepared to explore a standard-throw model.
The Optoma Cinemax P2, which is a bit brighter and provided good color accuracy with default settings in our tests, as well as the Hisense 100L5G, which shares many of the PX1-PRO’s features (but not the light engine) and comes with a bundled screen, are other options to consider if rainbow artifacts aren’t a concern.
Also, take note that Hisense claims the new PX1 model shares nearly all specifications with the PX1-PRO. The PX1-PRO, however, delivers a greater maximum image size and the promised compatibility for Dolby Vision for only a $200 difference in list price, making it significantly more cost-effective.
For those who aren’t troubled by rainbow artifacts, the Hisense PX1-PRO truly stands beside the Epson LS500 as our newest Editors’ Choice honoree for mainstream 4K UST laser projectors thanks to its TriChroma light engine.
FAQs
Q.1: What Is The Hisense PX1’s Refresh Rate?
Ans: 90 to 130-inch Projection Size; 4K Resolution; 60Hz Refresh; HDR10 High Dynamic Range; 2020 Colour High-speed HDMI with eARC; 2200 Lumens Brightness; 30W Dolby Atmos® Sound; Android TV To completely cover the BT, the PX1-PRO uses the renowned TriChroma laser engine.
Q.2: Can I Use 3D On The Hisense PX1-Pro?
Ans: To transfer lossless audio and 3D immersive sound to a soundbar or AV processor/receiver, the PX1-PRO supports eARC connection through HDMI.
Q.3: Are There 120 Hz In Hisense?
Ans: Many of Hisense’s 60 Hz and 120 Hz TVs offer a customizable motion rate, which makes sports, movies, and games appear incredibly smooth with less blur. Most TVs have a 60 Hz refresh rate.
CONCLUSION
The 4K Hisense PX1-PRO projector features an integrated Android TV and TV tuner and offers vivid, accurate color and razor-sharp focus. It is appropriate for screens up to 130 inches in size.
